Clock of Schedules

Or a Machine of Manipulation

Installation

The architecture and the device measures the day with slices, linking together time, space and the machine of the social. Each slice dissects an hour of working time as well as vertical spatial experience. In this metaphor, a working man descends from the top of the architecture, constantly pushed by the spatial machine. He passes, runs, disappearing and reappearing from the facade over an designed linear route, unaware, exhausted, and never stops. He is the manipulated man.

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